Further Box Progression

Whilst Rachel continued to produce more of the box and edit it together, I have been experimenting with different aspects of Foley of the clicking of the boxes, as well as testing different outcomes of using stop motion vs the aspect of using the live filmed light pieces.
I have edited a few of the compositions of the room together to see what they will look like when in the zoomed in shots, whilst seeing what Foley would also work well with the featured clips.
We have made sure that we looked into what we agreed on as a collaborative piece, and we have decided to use both techniques but one in a much longer composition that will be edited together as well as the final bumper that will be used as our presenting work to the client. I have also started to experiment with the end shots of the box fully zoomed out, as this is important to ensure that the wide shot looks as aesthetically pleasing.
Rachel has been editing the rooms of the Dollhouse properly into the 3D box itself, allowing more time for me to experiment with the potential background for the end shot.
We are collecting our work together to show it to the class and Rick for some feedback, which hopefully will let us have more of an idea as to what we can improve for the pieces to fulfil the clients brief more.

I have found with testing with the stills that Rachel is producing on Cinema 4D, that the box at the end shot does look like it's floating so we need to think of a solution to ensure that the piece looks well suited with the rest of the video.
There is the problem that we have had feedback on that the box does look like it is floating in thin air, so may need a drop shadow for a bit more effect.